Gu Changwei

For Gu Changwei to shift his attention to let’s face it, MONEY, we sit up and take notice.

This departure from his usual medium as one of China’s best cinematographer and directors is just as striking as the imagery in “Farewell My Concubine” when a mother uses a cleaver to cut off her son’s extra superfluous finger and seals his fate with his thumb print in blood on the contract.

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